Identify Antique China Patterns

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Fortunately, there are still many original Beswick figurines out there that could be purchased by the avid collector. Collectors of porcelain figurines will be familiar with the wide range of stamps used by manufacturers to mark their work. John Beswick implemented this practice at his Beswick factory and the range of marks or stamps that can be found on Beswick pieces give an invaluable insight into both your provenance and value in the piece itself.

The answer to this is certainly no. There are a large number of Beswick figurines in circulation that should not have a mark at all along with the Beswick factory was well-known for unfinished pieces, particularly on a Friday afternoon! The first thing you want to do is look on the underside of each piece.

Makers Marks This pictorial index of the backstamps of many makers of Asiatic Pheasants is by no means complete. The maker’s mark list has more makers Makers Marks page.

The development of the process was likely initiated as glass blowers experimented with molds as a way of producing special surface effects on their vessels. For instance, with pattern molding, the parison was initially shaped inside a mold that had been sculpted with diamonds, facets, circles, etc.. The mold would impart these designs to the body of the vessel. Typically the process was completed by removing the parison from the mold and blowing and spinning it in an off-hand fashion until the desired shape and size were achieved.

The second step in the transition to molding involved the use of what are known as dip molds. In this circumstance, the size and shape of the parison was complete when it was removed from the mold. In the case of round bottles, the mold was simply a cylinder, open at one end, within which the glass blower blew his bubble. This application of the mold allowed for a new style of patterning – embossed product names and logos.

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Much lighter than its dark Georgian counterpart Willow it reflected the Victorian age. Staffordshire pottery had come of age and its products no longer needed to rely on copies of chinese styles which Willow undoubtedly was; and with the spread of the railways throughout the United Kingdom this new romantic pattern proved to be far more popular. With the Industrial age now dawned ordinary people gained access to what had been the preserve of the wealthy and what they wanted was a pattern that was clean light and above all affordable.

The body of most Asiatic Pheasants dinnerware was commonly earthenware and the sheer volume of demand led inevitably to a general loss of quality in both the potting and the printing. This was not universal and good examples were produced in the late C19th and early C20th but they rarely match the quality and fineness of the earlier pieces.

Abingdon pottery made artware from about to in Abingdon, pottery made plumbing fixtures long before and after the artware production. Abingdon is a high-fired pottery much like Alamo and Gilmer, using a white clay ‘s often marked with 3 numbers or with the Abingdon name in a stamped rectangle, circle or a diamond.

Production then expanded to include hand-decorated stoneware. Queen Victoria knighted Henry Doulton in for his innovations in the ceramic art. In , the company became Doulton and Company, Ltd. In , a second factory was built in Burslem which still continues to produce the famous figurines, jugs, and table wares. It added porcelain production and earthenware production to its offerings in Also in , Doulton added decorated porcelain to the other production lines.

Doulton figures were made at the Burslem plants from until Stoneware production ceased at Lambeth in Another history of Royal Doulton: Royal Doulton is one of the world’s best-known fine china companies, designing and producing high-quality tableware and giftware under the popular brand names of Royal Doulton, Minton, Royal Albert, Caithness Glass, and Holland Studio Craft.

The company operates five ceramic factories, four of which are in England and the other in Indonesia, and two glass factories in Scotland.

How Can You Date Your Royal Doulton Figurine?

Here are some tips. This though can only be a guide to a date – it is not an exact science and some backstamps were used for many, many years. Learning about styles and shapes can also help date pieces, particularly on the older pieces from the early s when many were not marked. In the book you will find over backstamps described. More have been discovered since and are occasionally published by the Spode Society in their publication ‘The Review’.

When Curator of the Spode museum I also recorded some of those used in profusion between and

The Project Gutenberg EBook of China and Pottery Marks, by Unknown This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever.

An exhibition quality trumpet vase in Lactolian. Interestingly Lambeth collectors will tell us that they had previously also perfected this technique and among several key artists was one Florence Barlow who used this method extensively in her work. The production run of Lactolian ware was brief and thus today it is fiercely sought by collectors. The last piece I recall seeing was this vase at Bonhams in London a few years ago and it sold for a four figure sum despite its diminutive size.

The incredibly short production run was due in no small part to the production cost. The base of a saucer with the Lactolian name, although that was not always used on every item produced.

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Gorgeous plate also sometimes known as Chinese Vase. The wide floral border surrounds the central pattern of two figures, one reclining, surveying the view of sailing ships, bridge and temples. A lovely piece although it does show some fairly minor signs of wear with a little discolouration in places. There are however No chips, cracks or crazing! Impressed Wedgwood, four dots and X Dimensions: Light crazing and a little minor surface scratching otherwise fine.

Sitzendorf Porcelain Manufactory – Sitzendorf, Thuringia, Germany / Ca. /Since this mark was used on figurines produced for 70 years, the style must be examined to determine the a.

Beswick” , in Longton, Stoke-on Trent, England in His sons John and Gilbert along with John’s son, John Ewart all played a part in the factories tremendous success. Initially producing tableware and ornaments and after the war they started to branch out producing more fancy wares for the home and abroad. Beswick and later in his son also died. In that year the company was made a limited company called John Beswick Ltd. The s Art Deco period the factory became noted for it’s animal modelling in producing the finest of animal figures, notably well known racehorses and champion dogs.

The studio also produced whimsical figures in human poses and expressions. Arthur Gredington was appointed modeller for animals of all kinds taking the credit for the superb work produced for his accurate and realistic animals. James Hayward also contributed to the high quality pieces as Decorating Manager from to Art Director from , designing almost decorations, patterns and glazes.

Albert Hallam also contributed with his talented skills when he joined Beswick at the age of 14 as apprentice mould maker eventually becoming head of mould making and modeller, creating butterflies, horses, dogs and cats modelled after Arthur Gredington’s retirement including the Norwegian Fjord Horse, A very sort after piece today by collectors.


How to Date Wedgwood By Karyn Maier ; Updated April 12, Wedgwood is a line of porcelain and pottery produced by Josiah Wedgwood from about until his death in , and by his heirs thereafter. Although Josiah was the first prominent pottery maker to endorse each piece with a mark bearing his own name, knowing how to date Wedgwood is still quite tricky. However, if you know what to look for, you can confidently date Wedgwood.

Notable Wedgwood Marks Study the impression. If the letters in the name Wedgwood are uneven in size and shape, then you may be holding a very early piece. The unusual appearance of the letters is due to each one being made individually.

Trailing vines form a brown scalloped rim. The ochre glazed verso shows the backstamp of Etruria, England. This mark was used by Wedgwood from to the mid ’s. Also marked with the impressed Wedgwood and date numbers. 9″ Diam. x 1″H. Light expected wear.

She left school in in order to assist the family business, but the following year enrolled for evening classes at the Burslem Art School. By , with a scholarship, she commenced a full-time course at the School. She began to work as a paintress with the Hanley-based pottery firm A E Gray and Company and by she became their resident designer. Unfortunately the Wall Street crash of greatly affected industry in the Potteries.

And in November, just three weeks after Susie Cooper and her partner had set up in business, the firm was bankrupted. However, by early , a new factory premises at the Chelsea Works was located, and the Susie Cooper business was well and truly founded. Miss Susie Cooper is best remembered as a ceramic designer who developed functional but attractive designs.

When the new merged company became a member of The Wedgwood Group in , Miss Cooper designed a number of successful patterns for the Wedgwood factory. Her work was successful in uniting delicacy and vigour, as well as elegance and utility. From the time that Miss Cooper worked for the Wedgwood Group, she continued to design under both the Wedgwood backstamp, and also for the William Adams factory. Plant Limited was founded by the Plant Brothers around It traded successfully as a family firm for over half a century known as Royal Tuscan.

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